at first view - traducción al holandés
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at first view - traducción al holandés

PAINTING BY WILLIAM POWELL FRITH
A Private View at the Royal Academy; Private View at the Royal Academy; Private View at the Royal Academy, 1881
  • One of Du Maurier's satires on fashion
  • Watteau, ''[[L'Enseigne de Gersaint]]'' (1720-21)

at first view      
Op eerste blik
field of view         
  • In [[computed tomography]] ([[abdominal CT]] pictured), the field of view (FOV) multiplied by ''scan range'' creates a volume of [[voxel]]s.
  • newspaper=ESO Picture of the Week}}</ref>
  • Field of view diameter in microscopy
  • Vertical FOV
JAPANESE ROCK BAND (1994-)
FIELD OF VIEW
gezichtsveld (gebied wat overzien kan worden vanuit een bepaald punt)
love at first sight         
WIKIMEDIA DISAMBIGUATION PAGE
Love At First Sight; Love at first sight (film); Love at first sight (disambiguation); Love At First Sight (song); Love at First Sight (song); Love at First Sight (disambiguation); Love at First Sight (film); Love at First Sight (1977 film); Love at First Sight (album)
liefde op het eerste gezicht

Definición

Model View Controller
<programming> (MVC) A way of partitioning the design of interactive software. The "model" is the internal workings of the program (the algorithms), the "view" is how the user sees the state of the model and the "controller" is how the user changes the state or provides input. (2007-05-30)

Wikipedia

A Private View at the Royal Academy, 1881

A Private View at the Royal Academy, 1881 is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait (visible in the archway at the back of the room) by John Everett Millais was included on a screen at the special request of Queen Victoria. The room is Gallery III, the largest and most imposing room at Burlington House.

Frith worked on the painting through much of 1881 and 1882. He later said in My Autobiography and Reminiscences, published in 1887, that "Beyond the desire of recording for posterity the aesthetic craze as regards dress, I wished to hit the folly of listening to self-elected critics in matters of taste, whether in dress or art. I therefore planned a group, consisting of a well-known apostle of the beautiful, with a herd of eager worshippers surrounding him."